Genre
The 29 most-read celtic punk artists worldwide, by Wikipedia readership in October 2026. Movement compares against September 2026.
Artists
Readers October
New entries
29 artists are ranked in celtic punk. The biggest move was Mr. Irish Bastard, up 3 places.
| # | Artist | Readers | 30d |
|---|---|---|---|
01 | Dropkick MurphysQuincy · United States | 33,234 | 0 |
02 | The PoguesLondon · United Kingdom | 23,569 | 0 |
03 | Flogging MollyLos Angeles · United States | 8,644 | 0 |
04 | Ken CaseyUnited States | 7,803 | 0 |
05 | Al BarrUnited States | 4,061 | 0 |
06 | Mike McColganBoston · United States | 2,278 | +2 |
07 | The ScratchDublin · Ireland | 2,202 | 0 |
08 | The RumjacksAustralia | 2,039 | -2 |
09 | The Real McKenziesVancouver · Canada | 1,557 | +1 |
10 | The DreadnoughtsVancouver · Canada | 1,277 | -1 |
11 | The MahonesKingston · Canada | 973 | +1 |
12 | The PopesIreland | 927 | -1 |
13 | Marc OrrellUnited States | 526 | 0 |
14 | The TossersUnited States | 465 | +1 |
15 | Flatfoot 56Chicago · United States | 461 | -1 |
16 | Scruffy WallaceUnited Kingdom | 417 | +2 |
17 | Paddy and the RatsMiskolc · Hungary | 370 | -1 |
18 | Modena City RamblersModena · Italy | 345 | -1 |
19 | Mr. Irish BastardMünster · Germany | 291 | +3 |
20 | NeckHolloway · United Kingdom | 239 | 0 |
21 | BlaggardsHouston · United States | 210 | 0 |
22 | Greenland WhalefishersNorway | 166 | +1 |
23 | MutinyAustralia | 153 | +2 |
24 | The ProdigalsNew York · United States | 147 | -5 |
25 | Pipes and PintsPraha · Czechia | 110 | -1 |
26 | The Go SetMelbourne · Australia | 97 | 0 |
27 | Roaring JackAustralia | 86 | -1 |
27 | Finnegan's HellSweden | 86 | +1 |
29 | Sydney City TrashSydney · Australia | 62 | 0 |
How this is ranked. Artists are matched from the MusicBrainz database by genre and by the area they are based in. An artist appears in a genre when at least 15% of their genre votes are for it. Position is set by readership of their English Wikipedia article in October 2026; movement compares that against September 2026. Readership measures public attention, not streams or sales.